BY ROSE WOODS
Whidbey Life Magazine Guest Contributor
July 9, 2014
Last year, raising our brand-new tent (“Henry”) took about twelve hours and nearly the entire Island Shakespeare Festival company to raise the 850-pound beast.
It was a scant five days before we were to open our show and tensions were high. We’d been rehearsing on an open field in blistering heat and we didn’t know how it would be to work in the tent. I remember the tent arriving in a large semi across the field and thinking, “What have I gotten myself into this time?”
Pounding the four-foot stakes deep into hard ground took the better part of the day and was back-breakingly hard. There were blistered hands, aching shoulders and shortened tempers. The ropes had to be a certain tension to withstand up to 90 mile an hour winds to comply with our permits and codes.
None of us had ever done this before and, I admit, I was nervous about the center poles. Traditionally, the old circus performers used their elephants to get the tall poles up and we didn’t have one. It took everyone pulling and pushing and we managed to get one pole up; however, even then, the whole thing came down at one point and we had to do it again.
Somehow, it all came together (it always does) and the show, “Much Ado About Nothing,” performed to full houses under the Big Top.
This year we were ready.
The early crew arrived and we set to work. We hauled out the sledgehammers, the stakes, the poles and Henry. It took a team of ten people to get it out on the field and place it where we wanted. Then stakes went around the tent and the sledgehammers went to work just to get the correct placement around the tent.
There was a wonderful moment when Rod Stewart brought out a magic tool that essentially pounded the stakes into the ground to the correct height. We all had a chance to push them into the ground (without blisters!) and it saved us hours!
After that, a few outer poles were put up to prepare for the two center poles. I think I held my breath while the center poles went up, but everyone worked together and soon they were both holding up the top!
It’s a balancing act, after that, to get all the outer poles up without the whole thing falling down again (a lesson learned last year). There were a few wobbly moments, but pretty soon the poles were in place and the ropes were tied to the stakes.
After tightening the ropes equally around the entire thing, Henry was ready for walls. However, before the walls, the stage had to be put together. The next team of people hauled the stage in while the walls went up around them.
The atmosphere was fun with intermittent laughter dancing across the field.
When it was done, I think we were all a bit surprised that it went up in half the time! It takes a village (if one doesn’t have an elephant) to raise a circus tent and now we’re ready for our 2014 season to begin!
Image at top: Raising Henry (all photos by Rose Woods)
The next big event ISF event is The Bard’s Ball, a Venetian Masquerade is on Sunday, July 13, 2014.
Shows start July 26 and run through Sept 7, 2014. Check the website or call 360-331-2939 for more details.
Rose Woods is the Founding Artistic Director of Island Shakespeare Festival.
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